big with tom novy, eddie amador, warren clarke… pan america – released back in 2002 on royal flush and later through milk & sugar, it was one of the sought after tracks during the summer of 2003 with virtually every major dj spinning this crowd pleasing track. no intro needed on mr freakazoid – the talented youngster from the swiss alps simply keeps hitting the winning formula time & time again… toolroom, cr2, airplane!, hed kandi & apollo have all received the df touch! finally german producer denis the menace continues his impressive nero discography

if you want to know what the big club tunes are going to be on the white island this summer, then theres just one album you need, and thats eivissa 07, the latest in defecteds annual series of ibiza compilations. as ever, its packed with all the big tunes that will be soundtracking countless thousands of dedicated clubbers summer holidays this year

more madness by the lobby. >gutter poetry< is a further introduction into the lobbys perception of hip-hop. dry electric grooves combined with 8bit gimmickry supplied by chantal goret define the a-side. the b-side starts with the sampled sonic story of tasteless catfights and gratuitous violence. the lobby finishes through >the muddy way<, heavy bass from behind

show must go on !! one can really regard supdub as a kind of artnow, tones and illustrations will permanently harmonize in the future through artistic innovations from our drawer >odin<. a lovely but chopped girls voice approaches the listener on the a side >silvertune< in a checkless way, and you know who took his hands in that tune even before the beat starts and sends you in the direction of the dance floor

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

sven väth open air burner & also big with steve bug, claude von stroke, mike monday, c-rock, kiki, orlando voorn, satoshi tomiie, dj yellow !! mark august – just exalted by innervisions for their secret weapons mini sampler, known through his outstanding contribution on our compilation >grand cru< and his amazing releases on mezzotinto and curle, he enters our label family fully now with his first own release. his tracks declare his love to detroit techno and house, somehow modern but with a classic understanding. when he goes live, you should be prepared for something extraordinary. a wide colourful and dynamic pallet of sound that may amaze in its deepness but will rock your mind and body nonetheless. old joy – there is no happiness without sadness. this cognition was the initial point for this extravaganza. this timeless track sounds like a fine blend of an old djax-up record and fresh neodetroitish ingredients. its long build-up makes >old joy< a perfect match for the open-air season 2007

the first full release from b12 since 3ep on warp records in 1998. classic b12 deep-space melodics and detroit techno influences still shine through, with 21st century production. slope brings the beats to the dancefloor while magnetic fields and static glitch twist and turn though menacing atmospherics and jilted grooves

slutbox (billy dalessandro & daniel mnookin) >nitrogen 2 oxygen 1< ep (jason emsley & brian ffar remixes) billy dalessandros, daniel mnookin & brian ffars beloved siteholder returns with one of the best releases in the labels history. the sound is infectious, minimal minded and addictive, spreading through the world like an epidemic this only proves their chapter on techno is yet to be written. the title track is intricate, layered and warm, some might say it makes reference to sleeparchive with its metallic drums and deep analog vibrations. the massive sub bass is something you must experience on a raging dancefloor at 5am, this will jack you straight into the afternoon. dark haunting vocals (very on par with the m_nus crew) clicks & cuts percussion and decaying melodies. flip this one over for massive analog richness with this huge jason emsley mix which i get the feeling he took a lot of influence from dan bell back in the day as this sounds like revisiting the 7th city again, stunning. the brian ffar & huge hephner mix is filled with ever evolving basslines and residual synth pulses on top of bass sophistication thatll beg for deviant behavior at any hour. perfection if i may say so myself, do not miss

"this ep combines different periods of time. oldschool and newschool elements is the key element of a modern production, no matter if its nasa or both legends acquaviva & lützenkirchen to deliver a masterpiece that is functional in every possible way. sirens and oldschool stabs on one side, combined with electronic fierceness and drumming madness. the b-side "hurt me" is more agressive, sawtooth sounds modulating through every spectrum of frequencies. at least one will get your ears bleeding or just the mind blowing if youre lucky enough to survive. cologne based producer pierce gives the >satellite< original a new face with his remix. long synth build ups, reduced drumming and massive compression focus on the basic needs and desires of a rocking dancefloor: to celebrate a break, a melody and to freak out when it starts at zero again"

bomb alert! peaktime pressure all the way! house music is dead is another unbelievable track the beats are tough but groovy, and dark electronic synths rise through the mix before the haunting main hook rears its head. think trentemoller meets fedde le grand.this track is buzzing everywhere & has just been picked up by a leading uk label for a forthcoming release!

jav matame ist a monster - package rushing like a cyclone through the clubs in new york. he introduced something he calls „hard noize“ to a small audience two years ago and step by step got on top of the electronic hardtechno scene alongside deejays as dj amok, frank kvitta, patrick dsp, obi, arkus p, viper xxl, hardtrax vs. jackhamma and many more

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

redshapes profile is still rapidly growing. taken in mind it has been just over one year ago redshapes first ep was released on delsin - a lot of things have happened! nowadays weekly doing performances through europe, and two singles ending up in de:bugs 2006 chart. back to now, this new ep. steam comes in clonky and rough, as the track species on his last ep on redshapes own imprint present. light is a deeply beatless freaked synth excursion. the flip brings more hot stuff - starting with munch, a more detroited redshape as before! sounding as a lost 69 track, with its quircky chopped up breakbeats and whobbling synth bassline. plush at last brings in the otherworldy sounds inline of this ep on styrax. catchy business!!

markus binapfl and patrick buck aka kaiser souzai are neither gangsters nor mafia members, but their name is mentioned all around the electro music scene in germany. with >girl youll be a woman soon< on rotor recordings they had their biggest hit so far. more releases like >monique< and >mythology ep< came out through rotor recordings and had similar success. ow they are back and provide us with another smashin single >to the beat< which is coming with the original version, a chopstick and a nudisco analog playboy remix..

the year 2007 is beginning with turbulences for ruede hagelstein. real life, clubbing and the life of his beloved twist and turn through out the night. spooky appears the >ghostdriver< and with the drive by the needle of the compass circulates. change of direction. clarity is extinguished by the searchlight at the horizon. pictures change to sketches and the dark reveals the >pig< biting itself in the tail and one cant look away while it´s mouth is wriggling like a funny muscle. a ruede roadmovie

forward is a bold and brazen release using a variety of rhythms, the track moves through an epic journey, culminating in a breakdown that simply has been destroying dance floors keeping up the sound of spectrum mission to provide a range of mixes that will keep the most eclectic amongst you happy we see reworks from tony thomas, kids and tracksuits and the on fire (and recently decorated) hexadecimal

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

unique and strong well rounded ep from one of the leaders of canada’s electronic music community, adam marshall. the title track has been running through the dj circuit for some time now and has been causing some serious damage amongst some of the biggest names. with its sexy metallic cords and infectious rounded crescendo, it builds up to release a true form of energy that will leave any being hungry for more. reminiscent of works released on labels such as get physical, wagon repair, or mobilee. three more tracks between minimal and house packed with heavy funk.

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

after another excursion on moonbootique records and a tour through australia and north america,malente (aka christoph göttsch) returns to lucious with his manrox alter ego. malente is already very well known for his releases on moonbootique and unique as well as for his excellent remixes for e.g.bob sinclair, thomilla, louie austen and many more. the malente-sound is not simply electro- house. he delivers pumping electro-house stompers with a rockin and funky feel on the base of that typical positive malente-vibe

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

lost my dog head honcho pete dafeet with this stunning 4 track deep house gem four high quality tracks taking you on an atmospheric journey through petes special soundscapes

in the early 20th century large parts of southeast japan were terrorised by mysterious gangs of highwaymen. these robbers called themselves the nagasaki nightriders and were the subject of many legends. at sunset rich industrials and landowners locked their doors and waited in fear. with an amazing speed the nightriders attacked and ransacked their targets. their incredible pace made people suspect they were in league with the devil. named after a medieval legend, the nightriders were supposed to fly through the sky on glowing he-goats

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

nice price deal !!! joia records has been the launching platform for all the leading swedish producers. steve angello, eric prydz, sebastian ingrosso & axwell have all featured on joia (or sister label nero records) helping to raise the profile of all concerned. involved in the production scene for over a decade, dutch wonder producer, laidback lukes boast an impressive resume of tracks – responsible for remixing seminal artists including green velvet & daft punk, alongside his original work through virgin, stealth, refune & of course steve angello s last size release – killing the kitchen!

the irish is the only artist from cork who can claim to be part of the infamous stockholm electronic music scene known as the swedish invasion. long before making up one half of the successful techno house outfit dk7 - founded with partner jesper dahlbäck in 2003 -, mark, also known as the mighty quark or as mark and john when he produces with jespers cousin john dahlbäck, who moved to sweden in 1994, started to make music with various swedish artists perfecting his skills as an acoustically versed soundscape sculptor. with the prayer ep, marks first release on plastic city, o sullivan is returning to his dubby roots that made up an intrinsic part of him as a producer in the past as well - something that already shone through on his first two longplayers released on his own imprint king syndrome sounds. o sullivan, who is known for his world famous remixes and collaborations for and with leftfield, olaf hund, susuma yokota and digi dub

newworldaquarium, being active over more then ten years, released on labels as eevo lute, 100% pure, and peacefrog. his first releases as newworldaqaurium were released back in 2000 on the delsin label, the label which also released his debut album as 154 last year. new releases as newworldaquarium will see daylight soon through delsin and new religion, and his own imprint nwaq

jay moved through the ranks at juno and with 5 years record shop work experience under his belt jay now has a broad influence base for his current productions. these mainly focus on classic, itaol and nu disco, us, deep, and acid house right through vintage techno and the modern minimal sounds. his recent productions like this fine four track ep combine many of these influences but always lean toward the warm, retro, vintage electronic sounds that first time around he was too young to experience

the mistress of melancholic driving club techno returns. mia hasgone to exam and has extended her knowledge of alchemy fundamentally. after the first big throw schwarzweiss – which has reamed out lots of clueless dj’s with its sharp edges – now follows a far more mature album which compiles tracks just as thrilling, to an extremely danceable trip through the abysses of human sensitivities

detroit s new >soundshift< imprint makes a stunning debut with this intoxicating two-tracker. opening up is the soultek remix of billy dalessandro s smashing >don t sleep< release (which was found in the many sets of dan bell, ame, annie mac & pete tong last month) this mix is nothing short of brilliant and will certainly capture the hearts and sets of all those mathew jonson or loco dice fans out there. it has a subtlety that really creeps up on you and before you know it you re tapping your feet and zoning out listening to the intricacies of the music. truly minimal, there are loads of space within the track which is somewhat similar to the original but still a world apart, particularly in the fantastically eerie synth programming. in the forefront of the song is the shimmering and haunting vocal loop, >don t sleep< which has an almost hypnotic effect. (think richie hawtin in closer) the melody of the title is a delicate affair which sips cocktails in the company of some nicely chosen whirring and echoing noises. the build is effected so subtly it verges on melancholy but halfway through a rumbling bassline, appregiated melody and backbeat hi-hat pattern announce a funkier escalation!!

smokin!bittersweet gets housed up on this new 3 track 12inch with a dope jazzy house remix from atjazz and two deep, melodic house remixes from charles webster. smoky vocals with jazzy horns peeking through the dreamscape. definitely going to be big at wmc.

two finest atmospheric electro proogy house tunes by peter gun !!!

this cool three tracker from paris man jeremy herpe aka from karaoke to stardom is twisted, juicy, dirty and electronic !! dub kult label!!!

reworks by ata, cassy, arto mwambe!! steve bug charts + big support from all over!!! fact is that ata/sasse rework a jahcoozi track,upvalues this 12inch with extra rarity bonus points, because usually ata only produces very infrequently and selected remixes. they put your record player in shallow, well-tempered water, while fine sand tickles the nail. now and then you can listen to a groovy, fart-sounding simmer when a warm dubby summerbreeze waves through your ntilnian head. the ex-nord ntiln dj arto mwambe puts all eggs in one basket: modern-bombast! a jingling glockenspiel and fucked-up stottered vocals – all covered up with a squelching drone…

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

played by anja schneider, chloe, dj t ... !! peter dildo, the man behind trackdown records has in the past 12 months delivered such dance floor bombs that it was an easy choice to ask him to rework >gravity<. peter delivers his phat trademark sound of deep-housemeets-postminimal in a slamming arrangement of fine tuned drums and hypnotic synthstabing. something we love to play, hope you too! nick chacona and his partner in crime, anthony mansfield from hector works/rong music fame takes the original mix through their new york disco mill and delivers a severe piece of doped up cosmic disco – only for the headstrong! last but not least the finnish old-school electro guys mr velcro fastener transforms the original into an 808 jam with vocal samples to a final climax

marco resmann is not really a new face on mobilee – but definitel y a new name. the multi -talented producer is also known as phage on labels like klang, highgrade and sender. together wi th norman webber he is qui te successful as luna ci ty express on moon harbour. marco resmann is his exclusive production >brand< for mobilee records – and by the way… i t s his real name. resmann s >debut< is a journey through upbuilding soundscapes. we call it house music at i t s best. gouache and tempera are classical painting techniques and colour lines. following the footsteps of marc chagall and henry matisse he painted a complex piece of music that fits perfectl y to the worldwide club interieurs. enjoy the new mobilee…

wink is back at it again with the long awaited follow up to >516 acid<. this is the first time these tracks will be released on vinyl. >swirl< was featured on josh wink s acclaimed mix compilation profound sounds volume 3, but this is the first time a full version of the track will be released. in wink s signature style of creating tension, he full delivers on swirl. the track slowly builds and takes off when wink adds in his signature 303 bass line. like one of wink s dj sets it goes through many peaks and valleys, but it is the tension that is created that will drive the floor nuts. the b side is >have to get back<, which had been released on minus records min to mac comp, but only in an instrumental form. this is the very rare vocal version of that track. again wink provides the tension in this dark affair. the addition of the eerie vocal will remind people why he is the master of the bugged out production

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

more cloak and dagger cuts from the new school s favorite mystery label. all four cuts on this winter sampler freak and funk their way through firmly body-jacking beats, jazzy samples and stabs to get the heads noddin and booties shakin and of course that signature guess who? sound of instantly recognizable funkiness

played by the dahlbäcks, zoo brazil, c. lekebusch… >couldn t care less<: squelching synths and a ruckus beat that jacks you like a wack on the head pulse through the electryfied bodies until they glide in to an epic, spacious breakdown with sunset synths – and thrown straight back into the twitching beats that complement the fanfares of wild burping basses that push you over the edge. >jattedansen<: if you prefer to happily shuffle on the mad side of things, opt for the chugging, squelching nip-and-tuck of >chunky little thing< that grooves in stop-and-go fashion straight into those hotstepping dancing feet. organ stabs and squeaky, choppy synths make this a mind bending slow burner that grooves without mercy

through their involvement with leipzig-based netlabel 1bit wonder, daniel stefanik and sven tasnadi became acquainted with each other. recognizing similar approaches to production they decided to throw things together - cargo edition #3 being the result. daniel s unique feeling for melodic harmonies meets sven s preference for vivid complex rhythmic structures - the outcome being two enthralling tracks, at the same time driving and deliberate. this is stuff for real music lovers - it appeals to fans of contemporary dancefloor production means as well as to those who appreciate highly emotional records!! already played by mike shannon , jay haze, reynold...

a side feat dub kult well known through releases on raummusik and arcola dropping a cool builder with a sexy female vocal flip over for a fat tech stomper from our man up north artificial latvamaeki ... played by sven väth!!

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

for fans of loco dice, mathew jonson, m_nus, ame, matthew dear, dimbiman, dan bell !!features 3 new unreleased songs from billy dalessandro (force-inc, force tracks, resopal, kompakt) brian ffar (gourmet, tic tac toe) & slutbox…. hot stuff! billy dalessandro known for his bumpy dancefloor productions and driving dj sets, he returns on his newly formed site holder label to lead us through a symphonic slice of minimized and maximized techno. an untouchable hit for the few djs that possess it, all three songs on the ep are tracks that deliver. with intoxicating slow-build introductions which all seem to rise to the perfect point, breaking over with deep sine shaped basslines and beats that kicks the night into the afternoon. the slutbox tune pops and pulses along a more minimal excursion with deep tones, deep bass and melodic key stabs which seem to lock together as the rhythm evolves, propelling a sketch of minimal movement to another, out-there dimension. yes, do believe the hype and look out for site holder

the track bandits series continues with legendary us house music producers diggin through the crates and adding new life, to lost forgotten disco/funk tracks, from the 1970s and 1980s us underground. the tbs this time dig that lil bit deeper to provide two more disco classics, cut up, extended and re arranged in an old skool re edit style especially for the dancefloor. first up we have the genius that is curtis mayfield with what is my woman for, taken from the 1979 album heartbeat on rso records us. the track gets the track bandits treatment turning it into a cosmic disco/boogie gem, whilst the flip sees lenny williams with please dont tempt me originally released on 12 in 1977 on abc records us. the track also appears on the album choosing you released in the same year on abc. this again gets the old skool edit treatment with the dancefloor in mind, making this another essential release by the track bandits

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !